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A demonstration of the Plinth theme for Omeka Classic: the museum and its collection are fictional, and the images were made with AI. About this site
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Collection

Paintings

Dublin Core

Title
Paintings
Description
Paintings in oil, acrylic, wax and gouache, 1964 to 1995: fields, rooms and orchards of the valley, and the color fields they turned into.

Items in this collection (13)

  • Irrigation Ditch

    June Hollis · 1986

    A strip of silver water running straight away from the viewer between two fields of alfalfa. Hollis called it the only straight line in the valley.
  • Snowline

    June Hollis · 1983

    Tincup Mountain from the valley floor, the snowline drawn as one unbroken stroke. Hollis left the paper bare for the snow.
  • Orchard, Late

    June Hollis · 1979

    Hollis painted the Paulsen orchard every October for thirty years. In this one the light has nearly gone, and the last apples read as small warm sparks.
  • Ember

    Rafael Ortiz-Bell · 1995

    Layers of red and orange worked into hot wax until the surface glows from inside, like coals the morning after.
  • Signal

    Rafael Ortiz-Bell · 1992

    A field of cadmium red interrupted once, off center, by a pale vertical line. Ortiz-Bell painted the line last, in one breath, and would not say what it signals.
  • Grey Interior

    Tomas Ekwall · 1972

    Seven greys, each a little warmer than the last, laid side by side like planks. It hung in the Harlow Savings Bank lobby for thirteen years.
  • Doorway in Ochre

    Tomas Ekwall · 1969

    The only Ekwall with a way in. The doorway is the canvas left bare; the ochre around it took him eleven coats.
  • Three Rooms

    Tomas Ekwall · 1964

    Ekwall called his geometric paintings floor plans for houses he would never build. Here a black room, a red room and a grey hallway overlap, and none of them has a door.
  • Hay in Rain

    Mara Lind · 1966

    Early and looser than the field paintings, made in one sitting from the studio window. The grey strokes are rain; the ochre mound is the haystack that would not dry.
  • Night Field

    Mara Lind · 1974

    A single line of ochre holds the dark together. Lind said it was the porch light at the Halloran farm, seen from the road.
  • Low Water

    Mara Lind · 1968

    Painted the dry August after the dam went in, when the river showed its stones. Lind kept the palette to the colors of wet and dry rock.
  • September Field

    Mara Lind · 1970

    The first of the field paintings. Lind said she painted the field until it stopped looking like a field and started looking like September.

View all 13 items